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Since the early 1990s, Paul Ramírez Jonas (b. 1965) has expanded notions of conceptual-based practice, drawing on themes of geographic exploration, national identity and democracy through poetic installations, sculptures, and media-based artworks.
Ramírez Jonas is included in the 53rd Venice Biennial (Pabellon de America Latina); the 7th Mercosul Biennial, Porto Alegre, Brazil; and the The Quick and the Dead, curated by Peter Eleey at the Walker Art Center, Minneapolis, MN. Recent solo museum exhibitions include The Aldrich Contemporary Art Museum, Ridgefield, CT (2008); The Blanton Museum of Art, University of Texas, Austin (2007); and a mid-career survey at IKON Gallery, Birmingham, United Kingdom (2004). Public art commissions include Hudson River Park, New York, NY; and Taylor Square, Cambridge, MA (2005).
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Exhibitions and works:
5 Props for Speaker, 2008
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Copies, 2008
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Prologue, 2008
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Talisman, 2008 São Paulo Biennial
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Tinterillo, 2008
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We Make Change, 2008
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Well, 2008
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Declaration, 2007
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Is This Land Made for You and Me 2, 2007
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Long Time, 2007
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Mood of the Nation, 2007
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Paul Ramirez Jonas, Alexander Gray Associates, 2009
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53rd Venice Biennial, 2009
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Drawing, The Missing Note, 2007
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Wh_r_ Hav_ all th_ Flow_rs Gon_, 2006
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Wishing Well, 2007
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Mi Casa Su Casa, 2005
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Taylor Square, 2005
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Another Day, 2003
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Mirror, 2003
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Album 50 State Summits, 2002
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Ghost in Progress, 2000
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Every Day, 2001
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Migration, 2000
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Model, 1968: Solar System, 2000
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Observance , 2000
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Pause and Play, 2000
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A Better Yesterday, 1999
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Wake, A Series of Photos, 1998
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Longer Day, 1997
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Electrical Disturbances Apparently of Extraterrestrial Origin (Radiotelescope), 1995
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Hostage, 1995
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Ladder Kite, 1994
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Radical Winged Kite, after Alexander G. Bell, 1994
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Men on the Moon, 1992
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