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Joan Semmel

April 13–May 21, 2011

Joan Semmel, Installation view, Alexander Gray Associates, 2011

Joan SemmelInstallation view, Alexander Gray Associates, 2011

Joan Semmel, Installation view, Alexander Gray Associates, 2011

Joan SemmelInstallation view, Alexander Gray Associates, 2011

Joan Semmel, Installation view, Alexander Gray Associates, 2011

Joan SemmelInstallation view, Alexander Gray Associates, 2011

Joan Semmel, Installation view, Alexander Gray Associates, 2011

Joan SemmelInstallation view, Alexander Gray Associates, 2011

Transformations, 2011, Oil On Canvas

Transformations, 2011

Oil On Canvas

60h x 48w in (152.40h x 121.92w cm)

Moving, 2009, Oil On Canvas

Moving, 2009

Oil On Canvas

48h x 60w in (121.92h x 152.40w cm)

Self-Portrait #4, 2010, Oil On Canvas

Self-Portrait #4, 2010

Oil On Canvas

48h x 36w in (121.92h x 91.44w cm)

Self-Portrait #2, 2010, Oil On Canvas

Self-Portrait #2, 2010

Oil On Canvas

48h x 36w in (121.92h x 91.44w cm)

Step-Ladder, 2008, Oil On Canvas

Step-Ladder, 2008

Oil On Canvas

60h x 48w in (152.40h x 121.92w cm)

Crossed Legs, 2011, Oil on canvas

Crossed Legs, 2011

Oil on canvas

48h x 48w in (121.92h x 121.92w cm)

Triptych, 2009, Oil On Canvas

Triptych, 2009

Oil On Canvas

40h x 90w in (101.60h x 228.60w cm)

Press Release

Alexander Gray Associates was pleased to debut recent self-portraits by Joan Semmel, in the Gallery’s first solo exhibition with this acclaimed artist. Working consistently with figurative painting for over four decades, Semmel is primarily associated with the establishment of the Feminist art movement in the 1970s.

In the exhibition at Alexander Gray Associates, recent paintings continue the artist’s exploration of self-portraiture and female identity. The selected works represent the artist’s body, doubled, fragmented, and in-motion. Dissolving the space between artist and model, viewer and subject, these paintings are notable for their celebration of color and flesh. Soft and milky colors provide background for the luminous skin tones Semmel captures, as figure and ground merge. In many of the works, the artist confronts the viewer with a direct gaze, a departure from iconic earlier works in which the point of view that remained lay within the canvas itself.