Jack Tworkov, among others, included in the exhibition Leap Before You Look: Black Mountain College 1933–1957, organized by Helen Molesworth at the Institute of Contemporary Art/Boston.
Leap Before You Look: Black Mountain College 1933–1957 focuses on how, despite its brief existence, BMC became a seminal meeting place for many of the artists, musicians, poets, and thinkers who would become the principal practitioners of the postwar period. Figures such as Anni and Josef Albers, John Cage, Merce Cunningham, Robert Rauschenberg, Elaine and Willem de Kooning, Buckminster Fuller, Ruth Asawa, Robert Motherwell, Gwendolyn and Jacob Lawrence, Charles Olson, and Robert Creeley taught and studied at BMC, among many others. Teaching at the college combined the craft principles of Germany’s revolutionary Bauhaus school with interdisciplinary inquiry, discussion, and experimentation, forming the template for American art schools. While physically rooted in the rural South, BMC formed an unlikely cosmopolitan meeting place for American, European, Asian, and Latin American art, ideas, and individuals. The exhibition argues that BMC was as an important historical precedent for thinking about relationships between art, democracy, and globalism. It examines the college’s critical role shaping many major concepts, movements, and forms in postwar art and education, including assemblage, modern dance and music, and the American studio craft movement—influence that can still be seen and felt today.