Luis Camnitzer: Towards an Aesthetic of Imbalance in Auture.

Frank Bowling's Night Journey (1969–1970) selected as a work that defined the Civil Rights Era for curator Randall Griffey of the Metropolitan Museum of Art in artnet News.

Taking Shape: Abstraction From the Arab World, 1950s–1980s featuring Hassan Sharif included in artnet News' "Editors Picks."

Harmony Hammond's inclusion in Queer Abstraction at the Nerman Museum of Contemporary Art on NBC News.

Melvin Edwards' inclusion in the Museum of Modern Art's new permanent collection display in Hyperallergic. 

Luis Camnitzer: Towards an Aesthetic of Imbalance included in artnet News' "Editors Picks."

Melvin Edwards: Crossroads at the Baltimore Museum of Art in Artblog.

Joan Semmel's inclusion in the Museum of Modern Art's new permanent collection display in Artforum. 

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York Univeristy's Grey Art Gallery in Arab News. 

Joan Semmel's figurative painting practice mentioned in Artsy.

Harmony Hammond's inclusion in Art After Stonewall, 1969–1989 at Leslie-Lohman Museum of Art and Grey Art Gallery in ARTnews.

Frank Bowling's retrospective at Tate Britain in The Arts Desk.

Frank Bowling's retrospective at Tate Britain in The Guardain.

Soul of a Nation: Art in the Age of Black Power at the Broad Museum which included the work of Frank Bowling, Melvin Edwards and Lorraine O'Grady in Hyperallergic.

The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 in Datebook.

Melvin Edwards: Painted Sculpture in Hyperallergic. 

Harmony Hammond's retrospective at the Aldrich Contemporary Art Museum in The New York Times. 

Frank Bowling's inclusion in Art Basel Miami Beach in Hyperallergic.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art in The Boston Globe.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art in The Boston Globe.

Betty Parson's Vertical Waves (1974) included in Locally Sourced at the Heckscher Museum of Art in Newsday. 

Frank Bowling's retrospective at Tate Britain in Hyperallergic.

Melvin Edwards' inclusion in Generations: A History of Black Abstract Art and Afrocosmologies: American Reflections in The Wall Street Journal.

Coco Fusco interviewed by Jamila Medina Rios in the December 2019 issue of Rialta Magazine. 

Valeska Soares discusses Collection in Transformation: Women in Front at Museu de Arte de São Paulo in Artforum.

Melvin Edwards' inclusion in Where the Oceans Meet at the Museum of Art and Design at Miami Dade College featured in the Miami Herald.

Luis Camnitzer presents a lecture at the IV Congress of Artistic Education for Human Development featured in Noticias Vespertinas.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Culture Type.

Frank Bowling is named winner of Artist of the Year as part of the Apollo Awards 2019 featured in Apollo. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Mercury News.

Joan Semmel attends TWO x TWO's black-tie gala for the Dallas Museum of Art and The Foundation for AIDS Research featured in Paper City.

Luis Camnitzer speaks at The International Studio and Curatorial Program's 25th Aniversary Symposium featured in Hyperallergic.

The announcement of The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Culture Type. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Bay Area Reporter.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Vogue.

Harmony Hammond's inclusion in Making Knowing: Craft in Art at the Whitney Museum of American Art featured in ARTFIX Daily.

Regina Silveira's Octopus Wrap at the Seattle Art Museum featured in The Vancouver Sun. 

A survey exhibition of Melvin Edwards' sculptural career at City Hall Park announced as part of Public Art Fund's 2020 exhibition program featured in Observer.

Luis Camnitzer discussed on Aquellas Voces, a program on La Canoa, Radio Mundo.

Melvin Edwards: Crossroads exhibition at the Baltimore Museum of Art and Public Art Fund's inclusion of a survey of Melvin Edwards' work as part of the 2020 exhibition program featured in artnet News. 

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art featured in Baltimore Fishbowl.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic. 

Coco Fusco's solo exhibition, Swimming on Dry Land/Nadar en seco at the Flaten Art Museum, featured in Manitou Messenger.

Hassan Sharif's inclusion in the Barjeel Art Foundation Collection featured in The National.

Melvin Edwards interviewed by Choghakate Kazarian for The Brooklyn Rail.

Regina Silveira's inclusion in the Museum of Modern Art's new permanent collection display featured in ARTnews. 

Lorraine O'Grady's retrospective at the Brooklyn Museum, NY featured in Artforum.

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Culture Type. 

Melvin Edwards and Regina Silveira featured in Artsy's reflection on the Berlin Wall. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Haper's Bazaar. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Juxtapoz.

Melvin Edwards' inclusion in Soul of a Nation at the de Young Museum featured in Marina Times. 

Regina Silveira's inclusion in Art Weekend São Paulo featured in Ocula.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in London Evening Standard.

Teresa Burga reviewed by Jan Avgikos in the November 2019 print issue of Artforum.

Lorraine O'Grady's inclusion in Exodus at The Watergate Complex, Washington D.C. featured in artnet News. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in Elephant Magazine. 

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University’s Grey Art Gallery featured in Al-Fanar Media. 

Melvin Edwards: Painted Sculpture featured in Culture Type. 

Melvin Edwards: Painted Sculpture featured in ArtsGazing. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, reviewed by Emily LaBarge for Artforum. 

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in The Art Newspaper. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Artforum.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in El Mostrador.

Harmony Hammond included in Rebecca Solnit and Joshua Jelly-Schapiro's City of Women 2.0, featured in ARTnews.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Frieze.

Luis Camnitzer featured on Hans Herzog's blog A Latin American Art Serial. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Melvin Edwards' inclusion in The Museum of Modern Art's new collection display featured in The Wall Street Journal.

Joan Semmel honored with the Impact Award at Pratt Institute’s 2019 Alumni Achievement Awards Ceremony. 

Harmony Hammond featured in Women’s Wear Daily.

Melvin Edwards featured in Baltimore Fishbowl. 

Melvin Edwards: Crossroads and Generations: A History of Black Abstract Art featured in e-flux.

Teresa Burga reviewed by Johanna Fateman in The New Yorker. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times Style Magazine. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times.

Lorraine O'Grady mentioned in Emmlyn Butterfield-Rosen's essay The Modern Woman featured in Artforum. 

Teresa Burga profiled by Francisco Melgar Wong in the Fall 2019 print issue of Revista h.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured Frieze.

Teresa Burga reviewed by Jonathan Goodman for Whitehot Magazine. 

Melvin Edwards: Crossroads featured in Garden & Gun's October/November 2019 issue. 

Ashton Cooper discusses Harmony Hammond's Presences series in Artforum's October 2019 print issue. 

Frank Bowling's retrospective at Tate Britain reviewed by Gabriel Coxhead in Art in America. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in artnet News. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The Financial Times. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Harper's Bazaar. 

Melvin Edwards featured in Christopher Knight's review of LA Blacksmith for The Los Angeles Times. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Wallpaper. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Apollo Magazine 

Regina Silveira discusses Richard Serra's Wake on the Seattle Art Museum Blog. 

Coco Fusco interviews Pope L. for Art Basel. 

Melvin Edwards featured in Artfix Daily.

Coco Fusco investigates the treatment of Luis Manuel Otero Alcantara in Cuba for Hyperallergic.

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in Ocula. 

Joan Semmel's Skin in the Game featured in artnet News.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in Whitewall.

Frank Bowling, Teresa Burga, and Lorraine O'Grady featured in The Artsy Vanguard 2019: 50 Artists to Know Right Now. 

Luis Camnitzer's exhibition, Cuaderno de Ejercícios, featured in Observador.

Luis Camnitzer featured in Wall Street International Magazine's art section. 

Harmony Hammond featured in Garage. 

Harmony Hammond's retrospective, Material Witness, Five Decades of Art will travel to the Sarasota Museum of Art, FL.

Harmony Hammond's talk with Holland Cotter at SITE Santa Fe in Pasatiempo Magazine.

Regina Silveira's Octopus Wrap featured in The Stranger. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Holland Cotter for The New York Times. 

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in FAD Magazine. 

Frank Bowling interviewed by Poppy Malby for GQ.

Frank Bowling's retrospective at Tate Britain featured in FAD Magazine. 

Harmony Hammond featured in At London Bridge. 

Harmony Hammond: Material Witness, Five Decades of Art featured in Art Daily.

Coco Fusco's editorial on the 2019 Havana Biennial featured in Hyperallergic. 

Harmony Hammond's inclusion in About Face: Stonewall, Revolt and New Queer Art featured in New City Art. 

Frank Bowling's retrospective at Tate Britain reviewed by Sabo Kpade in Guardian Arts. 

Coco Fusco quoted in ARTnews. 

Lorraine O'Grady's inclusion in Harlem: In Situ at Addison Gallery featured in Culture Type. 

Lorraine O'Grady's upcoming retrospective featured in ARTnews. 

Harmony Hammond and Joan Semmel featured in Flaunt. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Meredith Mendelsohn in The Brooklyn Rail. 

Frank Bowling's retrospective at Tate Britain, London, reviewed by Jason Farago in The New York Times​.

Harmony Hammond's inclusion in About Face: Stonewall, Revolt and New Queer Art featured in People's World. 

Betty Parsons featured in The Architect's Newspaper.

Betty Parsons featured in The New Yorker. 

Frank Bowling featured in Culture Type. 

Regina Silveira: Unrealized / Não feito reviewed by Alejandra Villasmil in Artishock Revista.

Regina Silveira's Octopus Wrap featured in 425 Magazine.

Betty Parsons featured in Less than Half's review of Kasmin’s Painters of the East End.

Valeska Soares' inclusion in Glasstress featured in Wallpaper. 

Frank Bowling: Mappa Mundi at Haus der Kunst cited as Julie Mehretu's favorite exhbition of 2018. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Sharmistha Ray in Hyperallergic. 

Harmony Hammond's inclusion in Art After Stonewall featured in Miami's Community Newspapers.

Frank Bowling featured in Datebook. 

Frank Bowling's retrospective at Tate Britain, London featured in artnet News. 

Frank Bowling featured in SFist.

Frank Bowling featured in Artsy.

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Clarity Haynes in ARTnews.

Frank Bowling featured in ARTnews.

Frank Bowling's retrospective at Tate Britain reviewed by James White in The Upcoming. 

Harmony Hammond featured in artnet News. 

Lorraine O'Grady featured in Callan Malone's review of Acting Out: Works from the Marieluise Hessel Collection for Cultured.

Frank Bowling's retrospective at Tate Britain featured in The Londonist. 

Harmony Hammond featured in The Modern Art Notes Podcast 

Coco Fusco's inclusion in Art Basel, Unlimited featured in Artblog

Frank Bowling's retrospective at Tate Britain featured in Dazed.

Hassan Sharif featured in Harper's Bazaar Arabia.

Hassan Sharif's inclusion in Art Basel, Parcours featured in ARTnews. 

Joan Semmel's inclusion in Art Basel, Unlimited featured in Art Basel. 

Lorraine O'Grady featured in Lynne Cooke's review of Acting Out: Works from the Marieluise Hessel Collection for Chronogram.

Coco Fusco's inclusion in Art Basel, Unlimited featured in Garage.

Frank Bowling featured in Harper's Bazaar Arabia.

Hassan Sharif's inclusion in Art Basel, Parcours featured in Daily Maverick.

Coco Fusco featured in The New York Review of Books.  

Joan Semmel's inclusion in Art Basel, Unlimited featured in ARTnews.

Harmony Hammond featured in Artsy.

Frank Bowling's retrospective at Tate Britain reviewed by Javier Pes for artnet News. 

Coco Fusco's inclusion in Art Basel, Unlimited featured in Exhibitionary.

Hassan Sharif's inclusion in Art Basel, Parcours featured in The National.

Coco Fusco's inclusion in Art Basel, Unlimited featured in Free Malaysia Today.

Hassan Sharif featured in Harper's Bazaar Arabia. 

Frank Bowling's retrospective at Tate Britain reviewed by Hettie Judah in iNews.

Frank Bowling and his grandson, Frederick, interviewed in The Sunday Times.  

Frank Bowling's retrospective at Tate Britain reviewed by Martin Gayford in The Spectator.

Coco Fusco's inclusion in Art Basel, Unlimited featured in ARTnews.

Regina Silveira: Unrealized / Não feito featured in ArtsGazing. 

Hassan Sharif's inclusion in Art Basel, Parcours featured in Galerie Magazine.

Harmony Hammond featured in Hyperallergic. 

Frank Bowling's retrospective at Tate Modern reviewed by Harriet Lloyd-Smith. 

Frank Bowling and Melvin Edwards featured in Artfix Daily. 

Frank Bowling's retrospective at Tate Britain reviewed by John Gulliver for Camden New Journal. 

Frank Bowling featured in Apollo Magazine. 

Joan Semmel's inclusion in Art Basel, Unlimited featured in artnet News.

Frank Bowling's retrospective at Tate Britain reviewed by Alastiar Curtis for The Economist. 

Frank Bowling praised by Oscar Murillo in The Art Newspaper. 

Regina Silveira: Unrealized / Não feito featured in ARTnews. 

Frank Bowling's retrospective at Tate Britain reviewed in Artlyst. 

Frank Bowling's retrospective at Tate Britain reviewed by Chris Shields in the June 2019 issue of Art & Antiques.

Harmony Hammond: Material Witness, Five Decades of Art featured in Sotheby's.

Frank Bowling's retrospective at Tate Britain reviewed by Victoria L. Valentine for Culture Type. 

Frank Bowling's retrospective at Tate Britain reviewed by Nancy Durrant in The Times. 

Frank Bowling's retrospective at Tate Britain reviewed by Alastair Sooke in The Telegraph. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed by Hilarie M. Sheets in The New York Times.

Frank Bowling's retrospective at Tate Britain featured in Time Out, London.

Frank Bowling's retrospective at Tate Britain featured in New Statesman.

Frank Bowling's retrospective at Tate Modern reviewed by Jonathan Jones in The Guardian. 

Frank Bowling's retrospective at Tate Britain featured in Vogue.

Frank Bowling's retrospective at Tate Britain reviewed by Elizabeth Fullerton in The Guardian. 

Frank Bowling's retrospective featured in The Telegraph.

Frank Bowling's retrospective featured in Financial Times. 

Harmony Hammond featured in The Magazine's exploration of landscape painting in the Southwest. 

Joan Semmel's inclusion in Go Figure! at Eric Firestone Gallery in East Hampton featured in The East Hampton Star. 

Betty Parsons lauded by Martha Campbell in Thrive Global. 

Luis Camnitzer's inclusion in Words/Matter: Latin American Art and Language at the Blanton featured in Hyperallergic

Alexander Gray Associates, Germantown announced in artnet News.

Harmony Hammond's Blood Journals (Giorno 1 – X) (1994) featured in Elephant. 

Alexander Gray Associates, Germantown announced in Anthea Missy.

Harmony Hammond featured in Artsy's exploration of New Mexico as artistic inspiration. 

Luis Camnitzer featured in Noticias USNAM. 

Regina Silveira's Octopus Wrap featured in Patch. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Rachel Churner in 4 Columns.

Coco Fusco's review of Against Our Will: Sexual Trauma in American Art Since 1970 by Vivien Green Fryd in The New York Review of Books.  

Regina Silveira's Octopus Wrap featured in The Seattle Times.  

Lorraine O'Grady featured in Artforum. 

Luis Camnitzer featured in Cuban Art News. 

Luis Camnitzer featured in Noticias De. 

Frank Bowling's retrospective at Tate Britain featured in The Telegraph, print version. 

Frank Bowling's retrospective featured in The Telegraph.

Lorraine O'Grady featured in Teen Vogue. 

Lorraine O'Grady featured in Artsy. 

Lorraine O'Grady featured in Refinery 29.

Lorraine O'Grady featured in artnet News. 

Lorraine O'Grady featured in InStyle. 

Regina Silveira featured in Smithsonian Mag. 

Lorraine O'Grady featured in Artnews. 

Frank Bowling's retrospective previewed in The Voice. 

Frank Bowling, Ricardo Brey, Melvin Edwards, and Lorraine O'Grady featured in Culture Type's review of Frieze New York. 

Harmony Hammond featured in i-D's review of Art After Stonewall. 

Lorraine O'Grady featured in Nate Freeman's review of the Just Above Midtown section of Frieze for Artsy. 

Harmony Hammond: Material Witness, Five Decades of Art featured in Sotheby's.

Frank Bowling's retrospective at Tate Britain featured in Tate Etc. 

Harmony Hammond's involvement with Heresies featured in Artforum. 

Luis Camnitzer featured in e-flux. 

Harmony Hammond featured in Leslie Lohman Museum's journal, The Archive. 

Lorraine O'Grady featured in Experience Magazine 

Lorraine O'Grady featured in Michael Love Michael's review of the Just Above Midtown section of Frieze for Paper Magazine. 

Harmony Hammond: Material Witness reviewed by Faye Hirsch for Art in America. 

Lorraine O'Grady featured in Victoria L. Valentine's review of the Just Above Midtown section of Frieze for Culture Type. 

Lorraine O'Grady featured in artnet News. 

Harmony Hammond's solo exhbition, Harmony Hammond: Material Witness, Five Decades of Art reviewed by Faye Hirsch in the May 2019 print issue of Art in America. 

Harmony Hammond's solo exhbition, Harmony Hammond: Material Witness, Five Decades of Art reviewed by Ariella Wolens in the Spring 2019 issue of Spike Art. 

Hassan Sharif featured in Alserkal Avenue.

Teresa Burga featured in Artforum. 

Lorraine O'Grady featured in Scott Indrisek's review of the Just Above Midtown section of Frieze for Garage Magazine. 

Teresa Burga featured in Hyperallergic. 

Hassan Sharif's Shoes (2016) featured in Gulf News. 

Teresa Burga featured in artnet News.

Melvin Edwards discussed on the Athaneum Review podcast with Catherine Craft.

Teresa Burga featured in ARTnews.

Lorraine O'Grady featured in artnet News' Editors' Picks.

Hassan Sharif featured in Harper's Bazaar Arabia.

Melvin Edwards' work in Solidary & Solitary: The Joyner/Giuffrida Collection at the Smart Museum of Art reviewed in the Chicago Tribune by Lori Waxman. 

Lorraine O'Grady included in an Artforum feature on Frieze, Just Above Midtown. 

Lorraine O'Grady included in a Broadway World feature on Frieze, Just Above Midtown. 

Coco Fusco featured in Artforum. 

Lorraine O'Grady featured in an ARTnews article on Frieze, Just Above Midtown. 

Coco Fusco featured in The Art Newspaper. 

Harmony Hammond: Material Witness, Five Decades of Art featured in AFAR.  

Coco Fusco featured in Artforum.

Frank Bowling featured in Hyperallergic's review of Spilling Over: Painting in the 1960s at the Whitney. 

Polly Apfelbaum's Waiting for the UFOs (a space set between a landscape and a bunch of flowers) reviewed by Cristina Albu for Informality Blog. 

Louis Camnitzer's work in Words/Matter:Latin American Art and Language at the Blanton reviewed in Artishock. 

Frank Bowling's False Start featured in the Southwest Journal.  

Frank Bowling and Melvin Edwards featured in Elizabeth Flock's review of Soul of a Nation in PBS News Hour. 

Harmony Hammond interviewed by Jenn Shapland in the April 2019 issue of The Magazine. 

Hassan Sharif featured in Bulgari Hotels. 

Harmony Hammond: Material Witness, Five Decades of Art featured in CT Post.

Hassan Sharif featured in The National. 

Melvin Edwards and Lorraine O'Grady featured in Victoria L Valentine's review of Soul of a Nation for Culture Type. 

Coco Fusco reflects on Okwui Enwezor in e-flux. 

Harmony Hammond spotlighted in The Magazine by Jenn Shapland. 

Ricardo Brey: Doble Existencia/Double Existence reviewed by Jonathan Goodman for the Brooklyn Rail. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Blasz Takac for Widewalls. 

Melvin Edwards featured in Carren Jao’s review of Soul of a Nation in Link TV. 

Melvin Edwards featured in Dyanne Weiss’s review of Soul of a Nation in Guardian Liberty Voice. 

Melvin Edwards featured in Christopher Knight’s review of Soul of a Nation in the Los Angeles Times.

Ricardo Brey: Doble Existencia / Double Existence reviewed by Ellie Botoman for Artforum. 

Melvin Edwards featured in Makeda Easter's review of Soul of a Nation in the Los Angeles Times. 

Melvin Edwards featured in Catherine Womack's review of Soul of a Nation in LA Magazine. 

Joan Semmel: A Necessary Elaboration reviewed by Emilia Dubicki for The Woven Tale Press. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Evan Moffitt in Frieze. 

Polly Apfelbaum discusses Waiting for the UFOs with Allison McLeay in The Kansas City Star. 

Ricardo Brey: Doble Existencia / Double Existence reviewed in Blouin Artinfo.

Melvin Edwards in conversation with Ricardo Kugelmas for New City Brasil. 

Valeska Soares featured in Artforum. 

Frank Bowling, Melvin Edwards and Lorraine O'Grady featured in The Chronicle. 

Joan Semmel reflects on Carolee Schneeman's life and work in artnet News. 

Valeska Soares featured in ArtNews. 

Joan Semmel's work Sunlight (1978) featured on The Jewish Museum's Medium page. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Brad Durrell in The Ridgefield Press.

Melvin Edwards featured in New City Art. 

Frank Bowling's survey at Tate Britain featured in ARTnews. 

Harmony Hammond: Material Witness, Five Decades of Art featured in ARTnews. 

Polly Apfelbaum: Waiting for the UFOS (a space between landscape and a bunch of flowers) reviewed by Dana Self in KC Studio. 

Harmond Hammond: Material Witness, Five Decades of Art featured in Vogue.

Ricardo Brey: Doble Existencia / Double Existence reviewed by Dimitris Lempesis for Dream Idea Machine. 

Joan Semmel's work on view at ADAA Art Show featured in NY Social Diary. 

Joan Semmel's Mythologies and Me (1976) featured in Artsy. 

Lorraine O'Grady: Cutting Out: CONYT featured in ARTnews.

Alexander Gray Associates' presentation of work by Joan Semmel and Betty Parsons at ADAA: The Art Show discussed by Will Heinrich in The New York Times.

Harmony Hammond: Material Witness, Five Decades of Art featured in Galerie Magazine. 

Frank Bowling's False Start (1970) discussed in the Star Tribune. 

Luis Camnitzer's exhibition at El Reina Sofía reviewed by Pablo Álvarez in El Estado.