An Incomplete History of Protest

Whitney Museum of American Art

August 18, 2017 – ongoing

An Incomplete History of Protest
Installation view
Whitney Museum of American Art (2017)

An Incomplete History of Protest
Installation view
Whitney Museum of American Art (2017)

Kay Rosen
Aids, 1994
Silkscreen print on Rives BFK paper (Printer: Thomas Sanmann, Hamburg)
29.5h × 39w in (75h × 99w cm), Edition of 12
 

Melvin Edwards

Pyramid Up and Down, 1969/2012

Barbed wire

Installation view, Whitney Museum of American Art (2017)

Press Release

Through the lens of the Whitney’s collection, An Incomplete History of Protest looks at how artists from the 1940s to the present have confronted the political and social issues of their day. Whether making art as a form of activism, criticism, instruction, or inspiration, the featured artists see their work as essential to challenging established thought and creating a more equitable culture. Many have sought immediate change, such as ending the war in Vietnam or combating the AIDS crisis. Others have engaged with protest more indirectly, with the long term in mind, hoping to create new ways of imagining society and citizenship.

Since its founding in the early twentieth century, the Whitney has served as a forum for the most urgent art and ideas of the day, at times attracting protest itself. An Incomplete History of Protest, however, is by name and necessity a limited account. No exhibition can approximate the activism now happening in the streets and online, and no collection can account fully for the methodological, stylistic, and political diversity of artistic address. Instead, the exhibition offers a sequence of historical case studies focused on particular moments and themes—from questions of representation to the fight for civil rights—that remain relevant today. At the root of the exhibition is the belief that artists play a profound role in transforming their time and shaping the future.

An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017 is organized by David Breslin, Jennie Goldstein, and Rujeko Hockley; with David Kiehl, and Margaret Kross.