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Joan Semmel

Recent Work

2010—present

Transformations, 2011, Oil On Canvas

Transformations, 2011

Oil On Canvas

60h x 48w in (152.40h x 121.92w cm)

Flesh Ground, 2016, Oil on canvas

Flesh Ground, 2016

Oil on canvas

60h x 72w in (152.40h x 182.88w cm)

Unveiling, 2011, Oil On Canvas

Unveiling, 2011

Oil On Canvas

48h x 48w in (121.92h x 121.92w cm)

Crossed Legs, 2011, Oil on canvas

Crossed Legs, 2011

Oil on canvas

48h x 48w in (121.92h x 121.92w cm)

Triple Play, 2011, Oil on canvas

Triple Play, 2011

Oil on canvas

60h x 48w in (152.40h x 121.92w cm)

Embrace, 2016, Oil on canvas

Embrace, 2016

Oil on canvas

72h x 60w in (182.88h x 152.40w cm)

Open Hand, 2015, Oil on canvas

Open Hand, 2015

Oil on canvas

66h x 48w in (167.64h x 121.92w cm)

The Unchosen, 2011, Oil On Canvas

The Unchosen, 2011

Oil On Canvas

72h x 50w in (182.88h x 127w cm)

Description

In recent series like Transparencies (2014—present), Joan Semmel continues to meditate on the aging female physique. Recalling Semmel’s 1990s Overlays series, many of these works feature silhouettes of her body superimposed over realistic renderings of her form. Interacting with one another, these dual images create what the artist describes as “dialogues … [which] entice the viewer to engage.” At the same time, through their layered compositions that invite narratives around movement and the passage of time, these paintings advance Semmel’s decades-long engagement with chronicling her aging body.

Other recent self-portraits further develop Semmel’s project of female autonomy through her portrayal of the female body in contexts that question cultural and societal norms of female representation. Approaching her own form as a site of self-expression, she challenges the objectification and fetishization of women’s bodies by redefining the female nude through radical imagery that celebrates the aging process—refuting centuries of art historical idealization. “We all have some difficulty in confronting our aging physical selves,” Semmel argues, “so when you are painting yourself in that position, it really means that you have to say, ‘I’m doing this and I’m not going to make it pretty. I’m not going to hide it, disguise it, no face-lifts. It’s going to be really the way I see it.’ This is not a disease that’s happening. It’s the natural evolution of a person.”