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Art 43 Basel

June 14 – 17, 2012

Art 43 Basel

Art 43 Basel
Installation view

Art 43 Basel

Art 43 Basel
Installation view

Art 43 Basel

Art 43 Basel
Installation view

Art 43 Basel

Art 43 Basel
Installation view

Art 43 Basel

Art 43 Basel
Installation view

Art 43 Basel

Art 43 Basel
Installation view

Melvin Edwards, Machete for Gregory (1974)

Melvin Edwards

Machete for Gregory (1974)
Welded steel, barbed wire, and chain
31h x 40w in (78.74h x 101.6w cm)

Melvin Edwards, Bayou Talk (2005)

Melvin Edwards

Bayou Talk (2005)
Welded steel
9h x 8w x 7d in (22.86h x 20.32w x 17.78d cm)

Melvin Edwards, Five to the Bar (1973)

Melvin Edwards

Five to the Bar (1973)
Welded steel and barbed wire
14h x 20.5w x 20d in (35.56h x 52.07w x 50.8d cm)

Melvin Edwards, His and Hers (1964)

Melvin Edwards

His and Hers (1964)
Welded steel
10.75h x 6w x 4.25d in (27.31h x 15.24w x 10.8d cm)

Melvin Edwards, Edo (1978)

Melvin Edwards

Edo (1978)
Welded steel
11.5h x 8.75w x 5.63d in (29.21h x 22.23w x 14.3d cm)

Melvin Edwards, To Wifredo Lam (1982)

Melvin Edwards

To Wifredo Lam (1982)
Welded steel
24.94h x 31.5w x 19.25d in (63.35h x 80.01w x 48.9d cm)

Melvin Edwards, Equn Rites (1987)

Melvin Edwards

Equn Rites (1987)
Welded steel
12h x 10.88w x 7.5d in (30.48h x 27.64w x 19.05d cm)

Melvin Edwards, Texas Tale (1992)

Melvin Edwards

Texas Tale (1992)
Welded steel
18h x 8.25w x 11.25d in (45.72h x 20.96w x 28.58d cm)

Melvin Edwards, Gulf of Mexico (1990)

Melvin Edwards

Gulf of Mexico (1990)
Welded steel
11.5h x 8.5w x 8.25d in (29.21h x 21.59w x 20.96d cm)

Melvin Edwards, Double Info (1984)

Melvin Edwards

Double Info (1984)
Welded steel
13h x 13w x 7.75d in (33.02h x 33.02w x 19.68d cm)

Melvin Edwards, Upright (1974)

Melvin Edwards

Upright (1974)
Welded steel and barbed wire
20.75h x 13.13w x 7.5d in (52.71h x 33.35w x 19.05d cm)

Melvin Edwards, Year by Year (1994)

Melvin Edwards

Year by Year (1994)
Welded steel
10h x 11w x 8d in (25.4h x 27.94w x 20.32d cm)

Melvin Edwards, Con Rum (1981)

Melvin Edwards

Con Rum (1981)
Welded steel
13.75h x 6w x 6.75d in (34.92h x 15.24w x 17.15d cm)

Melvin Edwards, Level (1973)

Melvin Edwards

Level (1973)
Welded steel and barbed wire
12.75h x 13.63w x 6d in (32.39h x 34.62w x 15.24d cm)

Melvin Edwards, Nite Printer (2011)

Melvin Edwards

Nite Printer (2011)
Welded steel
14.25h x 10.63w x 7d in (36.2h x 27w x 17.78d cm)

Melvin Edwards, John Henry for John Scott (2012)

Melvin Edwards

John Henry for John Scott (2012)
Welded steel
12h x 11.5w x 7.88d in (30.48h x 29.21w x 20.02d cm)

Melvin Edwards, Echo Soweto (1980)

Melvin Edwards

Echo Soweto (1980)
Welded steel
14.25h x 7w x 5.75d in (36.2h x 17.78w x 14.61d cm)

Melvin Edwards, Mas Tandine (2007-2011)

Melvin Edwards

Mas Tandine (2007-2011)
Welded steel
9.25h x 7.5w x 7.5d in (23.5h x 19.05w x 19.05d cm)

Melvin Edwards, Texcali (1965)

Melvin Edwards

Texcali (1965)
Welded steel
19.75h x 15.25w x 8.5d in (50.17h x 38.74w x 21.59d cm)

Press Release

Melvin Edwards
Art Feature Sector, Booth G9
Messe Basel, Hall 2.0
Basel, Switzerland

The Art Feature exhibition included sculptures spanning four decades, all of which convey Edwards’ influence as an American modernist and conceptualist, as well as the artist’s deep-rooted expressions of social justice. This focused version of the gallery’s 2010 solo exhibition, which was widely praised (including Artforum’s “Best of 2010” issue), will be the artist’s first in Switzerland, and first solo exhibition in Europe since the early 1980s.

Central to the presentation is Edwards’ celebrated series, Lynch Fragments, a selection of which was recently on view in the permanent collection galleries at the Museum of Modern Art, New York. The works from this series span three periods: the early 1960s, when he responded to racial violence in American history; in 1973, when his activism concerning the Vietnam War motivated him to return to the series; and from 1978 to the present, when he began making Lynch Fragments to honor individuals, and to explore memory and his interest in African culture.

The most recent works display the remarkable range of expression Edwards achieves with his method of welding found objects into mask-like forms—including hammers, chains, and railroad spikes—and how, in the process, he renders violence, humor, and hope from these objects. The gallery presented approximately ten of these works from the 1960s to the present, as well as select pedestal-scaled works.

Also included in the exhibition was the large-scale sculpture, August the Squared Fire (1965). This extraordinary work was included in Edwards’ first solo exhibition at the Santa Barbara Museum of Art in 1965, and his 1993 retrospective at the Neuberger Museum of Art. August was included in the Hammer Museum’s exhibition, Now Dig This! Art & Black Los Angeles 1960–1980, part of the Getty Foundation initiative, Pacific Standard Time, a series of exhibitions focusing on the artistic history of Southern California. Edwards was also featured in Crosscurrents in LA: Painting and Sculpture 1950–1970 at the Getty Museum, which will travel to Martin-Gropius Bau in Berlin.

In addition to the Art Feature Sector, Alexander Gray Associates presented Melvin Edwards in Art Unlimited of Art Basel.

About Art 43 Basel
The world's premier international art show for Modern and contemporary works, Art Basel features nearly 300 leading galleries from North America, Latin America, Europe, Asia and Africa. More than 2,500 artists, ranging from the great masters of Modern art to the latest generation of emerging stars, are represented in the show's multiple sections. The exhibition includes the highest-quality paintings, sculptures, drawings, installations, photographs, video and editioned works.

With its world-class museums, outdoor sculptures, theaters, concert halls, idyllic medieval old town and new buildings by leading architects, Basel ranks as a culture capital, and that cultural richness helps put the Art Basel week on the agenda for art lovers from all over the globe. During Art Basel, a fascinating atmosphere fills this traditional city, as the international art show is reinforced with exhibitions and events all over the region. Located on the banks of the Rhine, at the border between Switzerland, France and Germany, Basel is easily navigated by foot and trams.