Alexander Gray Associates
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Art Fairs
  • News / Events
  • Press
  • Publications
  • Gallery
Menu

The Roof Garden Commission: Jennie C. Jones, Ensemble: The Metropolitan Museum of Art,

April 15 - October 19, 2025
  • Current
  • Upcoming
  • Past

The Roof Garden Commission: Jennie C. Jones, Ensemble: The Metropolitan Museum of Art

Current exhibition
April 15 - October 19, 2025
  • Overview
  • Installations
  • Videos
  • Related Artists
Overview
The Roof Garden Commission: Jennie C. Jones, Ensemble, The Metropolitan Museum of Art

Jennie C. Jones's solo exhibition Ensemble at The Metropolitan Museum of Art, New York, NY.

The institution's press release follows:

The Metropolitan Museum of Art’s newest Roof Garden Commission is on view April 15 through October 19, 2025, and features a dynamic work by artist Jennie C. Jones (born 1968, Cincinnati, Ohio). Titled Ensemble, the site-responsive installation is composed of three large sculptural forms based on string instruments—a trapezoidal zither; a tall Aeolian harp; and a doubled, leaning one-string—corralled on two sides by a floor piece that serves as both a “conductor” of the ensemble and a boundary-marker of the stage-like surface on which it sits. Full of sonic potential, the sculptures sit quietly in place, waiting to be heard. The Roof Garden Commission: Jennie C. Jones, Ensemble is the 12th in the series of commissions for the outdoor space.

The exhibition is supported by Bloomberg Philanthropies.

Additional support is provided by Cynthia Hazen Polsky and Leon B. Polsky, and Melony and Adam Lewis.

“We are thrilled that Jennie C. Jones has brought her unique artistic vision to The Met’s iconic roof garden,” said Max Hollein, the Museum’s Marina Kellen French Director and Chief Executive Officer. “Elevated high above the sounds and rhythms of New York City, her innovative installation seamlessly combines form, color, line, and acoustics, challenging visitors to engage with sculpture in new and unexpected ways.”

David Breslin, Leonard A. Lauder Curator in Charge, Modern and Contemporary Art, added, “Jennie C. Jones’s fidelity to abstraction invites her viewers to pay attention to the quieter pathways where profound meanings reside. By combining the sensorial experiences of visual art and sound, Jones is one of the most thoughtful and compelling voices in contemporary art today."

For Ensemble, Jones drew inspiration from the Roof Garden location and The Met itself. The sculptures’ powder-coated aluminum surfaces—featuring a deep red palette with instances of bright red color along edges or in sound holes—are juxtaposed with concrete blocks resembling travertine, a material found in the Museum’s Great Hall and throughout its buildings. The mechanics of the sculptures, from the angles of the strings to the location of the tuning hardware, were partially informed by observations of the stringed instruments in The Met’s Musical Instruments galleries.

For the form based loosely on a zither—typically a flat instrument with strings equal to the length of the sound board—Jones created a reclining trapezoid with a slanted face, a hollow center, and strings lining the back. The sculpture is formally based on the shape of a sound absorber used in one of her previous works, Bass Traps with False Tones (2013).

The artist’s Aeolian harp draws on her one previous work of outdoor sculpture, These (Mournful) Shores (2020), an instrument conceived for the Clark Art Institute in Williamstown, Massachusetts, and built into the architecture of the museum. Intended to be played by the wind, Aeolian harps are fretless and do not require performers. Jones’s enlarged, freestanding Aeolian harp appears monumental in form but requires a close encounter to be heard.

For the third sculpture, modeled after the one-string, Jones looked to the Mississippi-born musicians Moses Williams and Louis Dotson, who performed a unique style of blues music on the instrument, which is typically constructed from humble materials. Williams and Dotson leaned the instrument upright against a wall or a tree; Jones pays homage to these two musicians by repeating the leaning sound bar in her take on the one-string.

This project is the latest in The Met’s series of contemporary commissions in which the Museum invites artists to create new works of art, establishing a dialogue between the artist's practice, The Met collection, the physical Museum, and The Met's audiences. It stands as the final Roof Garden Commission before the space temporarily closes in preparation for the construction of the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing, The Met’s new home for its collection of modern and contemporary art. The series will resume following the anticipated 2030 reopening of the renovated wing, which will feature an expanded Cantor Roof Garden on the fourth floor.

About the Artist

In her paintings, sculptures, works on paper, installations, and audio compositions, Jennie C. Jones uses sound to respond to the legacy of minimalism and to modernism itself. Drawing on her immersion in Black avant-garde music, she deploys sound and listening as important conceptual elements of her practice, from the acoustic fiberglass panels she affixes to canvas that absorb sound to the lines and bars she creates through her compositions that refer to elements of musical notation. Her work across media offers new possibilities for minimalist abstraction, challenging how—and by whom—it is produced.

Her solo exhibitions include Jennie C. Jones: Compilation, at the Contemporary Art Museum Houston (2015–16); Jennie C. Jones: RPM, at the Glass House (2018); Jennie C. Jones: Constant Structure, at the Arts Club Chicago (2020); Jennie C. Jones: Dynamics, at the Solomon R. Guggenheim Museum (2022); and the forthcoming Jennie C. Jones: A Line When Broken Begins Again at the Pulitzer Foundation (2025). Jones’s work is held by numerous public and private collections across the United States, including the Art Institute of Chicago; Cleveland Museum of Art; Hirshhorn Museum and Sculpture Garden; Los Angeles County Museum of Art; The Metropolitan Museum of Art; The Museum of Modern Art; Philadelphia Museum of Art; Solomon R. Guggenheim Museum; the Walker Art Center; and the Whitney Museum of American Art, among many others. She lives and works in Hudson, New York.

Installations
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 7
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 6
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 5
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 1
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 2
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 4
Open a larger version of the following image in a popup: Jones 2025 Metropolitan Museum Of Art 3

Installation view of The Roof Garden Commission: Jennie C. Jones, Ensemble, 2025
Image credit: The Metropolitan Museum of Art, Photo by Hyla Skopitz

Videos
  • Meet the Artist—The Roof Garden Commission: Jennie C. Jones, Ensemble

    Meet the Artist—The Roof Garden Commission: Jennie C. Jones, Ensemble

    The Metropolitan Museum of Art Go behind the scenes with Jennie C. Jones discussing the 2025 Roof Garden Commission at The Met, Ensemble, on view through October 19, 2025. Only her second outdoor sculptural installation,... Read more

Related artist

  • Jennie C. Jones

    Jennie C. Jones

Alexander Gray Associates

384 Broadway
New York NY 10013
United States


Tuesday – Saturday
10:30 AM – 6:00 PM
Telephone +1 212 399 2636

Inquires

Sales
sales@alexandergray.com

Press
press@alexandergray.com

General
info@alexandergray.com

Mailing List

Subscribe to email list for announcements
info@alexandergray.com

Privacy Policy
Accessibility Policy
Cookie Policy
Manage cookies
Copyright © 2025
Instagram, opens in a new tab.

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences