Alexander Gray Associates
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Art Fairs
  • News / Events
  • Press
  • Publications
  • Gallery
Menu

What's Left: Artworks Made by a Public: New York,

February 19 - March 30, 2010
  • Current
  • Upcoming
  • Past

What's Left: Artworks Made by a Public

Past exhibition
February 19 - March 30, 2010 New York
  • Overview
  • Installations
  • Related Artists
Overview
Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010

Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010

What's Left: Artworks Made by a Public
Alexander Gray Associates

Karen Finley, Alison Knowles, Lorraine O’Grady, Paul Ramírez Jonas

Inaugurating Alexander Gray Associates’ new gallery space on the second floor of 508 West 26 Street, What’s Left: Art Made by a Public showcased four significant artworks made since the 1960s that were activated by public engagement. Situated between conceptualism, performance, intervention and public art, the exhibition raised questions concerning documentation and archive, event and object.

Alison Knowles’ #2 Proposition (Make a Salad) (1962) is a seminal Fluxus piece, a performance-based artwork set to a Mozart score, with the artist preparing a salad for the audience. #2 Proposition premiered in 1962 at the Institute of Contemporary Art London, and was more recently presented at the Wexner Center for Contemporary Art (2004) and the Tate Modern (2008). The work took place during the gallery opening on Friday, February 19, 2010. Documentation was presented in the exhibition.

Lorraine O’Grady’s Art Is..., a 1983 performance intervention in the African-American Pride Parade was made in response to a fellow activist’s challenge that “avant-garde art doesn’t have anything to do with Black people”. Photo-documentation of the resulting artwork, made specifically for a non-art world audience, shows performers interacting with parade spectators, framing people and the Harlem street scape with gold frames in an affirmative, joyful encounter. O’Grady is included in the 2010 Whitney Biennial.

From her 1991 series Momento Mori, Karen Finley’s Ribbon Gate (1991) provided an interactive experience for the public to consider the impact of the AIDS crisis. Presented at The Kitchen and MOCA-Los Angeles, the public tied multicolor ribbons on an antique, wrought-iron gate in memory of someone who had died of AIDS. Made at a peak moment of the AIDS crisis’ impact on the art community, the work today exists as an archive and memorial.

Paul Ramírez Jonas' Talisman I (2008–2009) is a triptych containing the objects from his public art work in the 28th São Paulo Biennale 2008, curated by Ivo Mesquita. Building on the exhibition's theme of “in living contact”, the piece is comprised of hundreds of house keys exchanged by Sao Paulo residents to keys to the Biennale's building, along with the contract that was signed by each participant. Talisman extends Ramírez Jonas' interest in social contracts, manifested in earlier public works in Cambridge, MA; and will be further explored in Key to the City, a New York city-wide project to be produced by Creative Time in May 2010.

Installations
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010
Open a larger version of the following image in a popup: Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010

Installation view: What's Left: Artworks Made by a Public, Alexander Gray Associates, New York, 2010

Related artist

  • Lorraine O'Grady

    Lorraine O'Grady

Back to Past exhibitions

Alexander Gray Associates

384 Broadway
New York NY 10013
United States


Tuesday – Saturday
10:30 AM – 6:00 PM
Telephone +1 212 399 2636

Inquires

Sales
sales@alexandergray.com

Press
press@alexandergray.com

General
info@alexandergray.com

Mailing List

Subscribe to email list for announcements
info@alexandergray.com

Privacy Policy
Accessibility Policy
Cookie Policy
Manage cookies
Copyright © 2025
Instagram, opens in a new tab.

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences