News / Events

Joan Semmel's Mythologies and Me (1976) featured in Artsy. 

Alexander Gray Associates' presentation of work by Joan Semmel and Betty Parsons at ADAA: The Art Show discussed by Will Heinrich in The New York Times.

Lorraine O'Grady: Cutting Out: CONYT featured in ARTnews.

Luis Camnitzer solo exhibition Luis Camnitzer 1968–2018 at Parra & Romero, Madrid, Spain.

Ricardo Brey: Doble Existencia / Double Existence previewed by ARTnews.

Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.

Ricardo Brey: Doble Existencia / Double Existence previewed by Cuban Art News.

Luis Camnitzer and Valeska Soares included in the group exhibition Words/Matter: Latin American Art and Language at the Blanton curated by Beverly Adams and Florencia Bazzano at the Blanton Museum of Art, The University of Texas at Austin.

Melvin Edwards' work on view at Frieze LA discussed by Daniel Gerwin in Hyperallergic.

Hugh Steers' work on view at Frieze Los Angeles discussed by Ted Loos in Cultured Magazine.

Ricardo Brey solo exhibition Adrift at De Domijnen Museum, Sittard, Netherlands. 

Luis Camnitzer included in the exhibition Affective Utopia: Art as a Critical Tool curated by Bruno Leitão and Mónica de Miranda at Kadist, Paris.

Melvin Edwards solo exhibition Melvin Edwards curated by Ricardo Ortiz Kugelmas at Auroras, São Paulo, Brazil.

Hassan Sharif discussed by Stephanie Bailey in Ocula.

Joan Semmel: A Necessary Elaboration reviewed by Phoebe Hoban in Riot Material.

Lorraine O'Grady: Cutting Out CONYT reviewed by Colby Chamberlain in Artforum.

Joan Semmel discussed by Paddy Johnson in Observer.

Lorraine O'Grady and Betty Parsons discussed by Andrew Russeth in ARTnews, in conjunction with the exhibition She Persists: A Century of Women Artists in New York at Gracie Mansion, New York.

Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) reviewed by Laura Spencer in Kcur. 

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in ARTnews.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in Culture Type.

Regina Silveira's solo presentation, UP THERE, included in Além do infinito at the Farol Santander, São Paulo, Brazil.

Regina Silveira included in Passado/Futuro/Presente: Arte contemporânea no acervo do Museu de Arte Moderna de São Paulo, curated by Vanessa K. Davidson and Cauê Alves, at Museu de Arte Moderna, São Paulo, Brazil.

Lorraine O'Grady's upcoming retropsective at the Brooklyn Museum feautured in Artsy.

Lorraine O'Grady and Betty Parsons discussed by Jillian Steinhauer in The New York Times, in conjunction with the exhibition She Persists: A Century of Women Artists in New York at Gracie Mansion, New York.

Lorraine O'Grady and Betty Parsons included in She Persists: A Century of Women Artists in New York, 1919–2019 at the Gracie Mansion Conservancy, New York, NY.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem. Curated by Connie H. Choi, the exhibition is organized by Emily Kuhlmann at the Museum of the African Diaspora, San Francisco, CA.

Polly Apfelbaum is one of the recipients of the Creative Capital Awards 2019.

Joan Semmel: A Necessary Elaboration, reviewed by Elena Martinique in Widewalls.

Lorraine O'Grady, Art Is. . . (Women in Crowd Framed), 1983/2009, featured by Julia Wolkoff in Artsy.

Melvin Edwards discussed in Artforum.

Alexander Gray Associates announces Joan Semmel: A Necessary Elaboration, an exhibition of new work by Joan Semmel.

Hassan Sharif discussed by Jyoti Kalsi in Gulf News.

Joan Semmel: A Necessary Elaboration featured by Mark Segal in The East Hampton Star.

Luis Camnitzer interviewed by the Museo Nacional Centro de Arte Reina Sofía in conjunction with his retrospective: Hospice of Failed Utopias at the Museum.

Joan Semmel discussed by Jamie Robinson in The Spaces.

Joan Semmel included in A Woman Looking at Men Looking at Women curated by Kasia Redzisz at Museum Susch, Zernez, Switzerland.

Hassan Sharif discussed by Melissa Gronlund in The National.

Melvin Edwards discussed in Artforum.

Coco Fusco published an article in Frieze about Cuban Decree 349.

Lorraine O'Grady solo exhibition Lorraine O'Grady: Cutting Out CONYT at the Städtische Galerie Wolfsburg, Germany.

Alexander Gray Associates presents a curated selection of Gallery artists in SP-Arte 2018.

Frank Bowling discussed by Hilarie M. Sheets in The New York Times.

Joan Semmel discussed by Douglas Dreishpoon in The Brooklyn Rail.

Lorraine O'Grady discussed by Sebastian Smee in The Washington Post in conjunction with the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today at the Wallach Art Gallery, Columbia University, Lenfest Center of the Arts, New York, NY.

Frank Bowling discussed by Morgan Kinney in Houstonia Mag.

Coco Fusco discussed by Jasmine Weber in Hyperallergic.

Polly Apfelbaum included in the group exhibition PRISM: The Art and Science of Light curated by Chris Clarke and Fiona Kearney at The Glucksman Gallery, Cork, Ireland.

Harmony Hammond included in the group exhibition Under/erasure curated by Heather and Raphael Rubinstein at Pierogi Gallery, New York, NY.

Lorraine O'Grady: Cutting Out CONYT reviewed by Jillian Steinhauer in The New York Times.

Joan Semmel featured by Jerry Saltz in Vulture.

Lorraine O'Grady: Cutting Out CONYT discussed in the New Yorker.