News / Events

Lorraine O'Grady's work in the exhibition, Reclaimed at the Linda Pace Foundation was highlighted in the Rivard Report 

Group exhibition Effects that Aren't Special: The 40th Annual Photography Regional curated by Tim Davis at the Opalka Gallery, New York.  

Lorraine O'Grady performance Art is. . ., 1983 was discussed in an Interview on Archinect.

Lorraine O'Grady included in the group exhibition Reclaimed at the Linda Pace Foundation, San Antonio, TX.

Luis Camnitzer's talk at El Eco Experimental Museum of the city of Mexico was highlighted in El Universal.

Kay Rosen, Kay Rosen: Stirring Wirds at Alexander Gray Associates, reviewed by Lauren O'Neill-Butler in Artforum.

Hassan Sharif's presentation at the Venice Biennale, Venice Italy, was discussed by Melissa Gronlund in The National.

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, New York, NY, discussed by Sandi Di Yu in Art Rabbit. 

Frank Bowling, Untitled (Mother’s House), 1966 Sold for $112,500 at auction. 

Lorraine O'Grady's performance work was profiled in The Drama Review by the writer Beth Capper. 

Alexander Gray Associates will participate in ADAA: The Art Show 2018.

Harmony Hammond, Weave Paintings series at the ADAA Art Show was discussed by Alex Greenberger and Andrew Russeth in ARTnews. 

Kay Rosen, Kay Rosen: Stirring Wirds, featured in Hyperallergic Spring art guide.

Luis Camnitzer was recognized with a Heritage Recognition Plaque.

Luis Camnitzer was profiled by Samantah Deman in ArtsHebdo Medias. 

Kay Rosen, Kay Rosen: Stirring Wirds (2018), reviewed by Clayton Press in Forbes. 

Melvin Edwards participates in the Group exhibition Solidary & solitary: The Joyner/Giuffrida Collection, curated by Christopher Bedford and Katy Siegel at the Nasher Museum of Art at Duke University, Durham, NC. 

Luis Camnitzer is included in Cisneros Fontanals Art Foundation's presentation at ARCOmadrid in Madrid, Spain. 

Lorraine O'Grady, Mlle Bourgeoise Noire, discussed in The Spectrum in connection with the exhibition: We Wanted A Revolution: Black Radical Women, 1965-85 at The Albright-Knox Art Gallery, Buffalo NY.

Lorraine O'Grady, Art is. . ., 1993 photographic series was discussed in Arkansas Online in connection with the exhibition: Soul of A Nation: Art in the Age of Black Power 1963-1983 at the Crystal Bridges Museum of American Art, AR.

Luis Camnitzer exhibition Falto de palabra, Luis Camnitzer & Colectivo MASKI, at NC-Arte in Bogotá.

Lorraine O'Grady is included in the group exhibition Family Pictures curated by Drew Sawyer at the Columbus Museum of Art, OH. 

Coco Fusco signed the petition created by the group We Are Still Not Surprised. 

Hassan Sharif, discussed in Gulf News in connection with the exhibition, From Barcelona to Abu Dhabi: Works from the Barcelona Museum of Contemporary Art (MACBA), at the Abu Dhabi Festival, UAE. 

Melvin Edwards' exhibition, Festivals, Funerals, and New Life, at Brown University, discussed in Wonderland. 

Melvin Edwards, Goal Line Stance, 2017, discussed in Hyperallergic in connection with the exhibition, Sidelined (2017), at Galerie Lelong, New York, NY.

Coco Fusco, discussed in Hyperallergic in connection with the petition letter created by the feminist group We Are Not Surprised (WANS).

Joan Semmel, interviewed by Emily Steers for Issue No. 30 of Elephant Magazine. 

Hassan Sharif is included in the exhibition, From Barcelona to Abu Dhabi: Works from the MACBA Art Collection in dialogue with the Emirates at Minaret Al Saadiyat, as part of the Abu Dhabi Festival.

Hassan Sharif: I am the Single Work Artist at Sharjah Foundation, reviewed by Melissa Gronlund in Artforum.  

Lorraine O'Grady's work in the Soul of A Nation: Art in the Age of Black Power exhibition at the Tate Modern, discussed by Mark Reynolds in popMATTERS.

Betty Parsons, House Store (1977) is currently on view at the Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY.

Melvin Edwards and Lorraine O'Grady participate in the Soul of A Nation: Artists Conversation Symposium in conjunction with the Soul of A Nation: Art in The Age of Black Power exhibition at the Crystal Bridges Museum of American Art, AR. 

Hassan Sharif, Hassan Sharif: Semi-Systems at Alexander Gray Associates, reviewed in Arte Fuse.

Kay Rosen Leak (1998) is on view at the Art Institute of Chicago.

Frank Bowling, Skowhegan Green II, 1984, discussed by Bodowin College Museum of Art in connection with the exhibition, Looking Anew: Art and Estrangement, 1900–2000 at Bodowin College.

Luis Camnitzer will give a keynote address at the Art and Radical Pedagogy International Summit at Western Washington University, Bellingham, WA.

Regina Silveira, included in the exhibition: Encontros improváveis de um lugar em comum, at Museu da Energia de São Paulo.

Alexander Gray Associates will participate Art Basel 2018.

Joan Semmel included in Scenes from the Collection at the Jewish Museum, New York, NY.

Harmony Hammond's solo exhibition at Susanne Vielmetter Los Angeles Projects, reviewed by Leah Ollman in Los Angeles Times.

Melvin Edwards is included in the group exhibition Sidelined, curated by Samuel Levi Jones at Galerie Lelong & Co., New York

Alexander Gray Associates presents Hassan Sharif: Semi Systems.

Hassan Sharif: Semi-Systems at Alexander Gray Associates previewed by ARTnews.

Regina Silveira’s Meret Oppenheim com sombra peluda (Meret Oppenheim with Furry Shadow), 1993, currently on view in the exhibition Past/Present/Future at Phoenix Art Museum, AZ.

Hassan Sharif' retrospective Hassan Sharif: I Am The Single Work Artist at Sharjah Art Foundation, UAE, reviewed by Holland Cotter in The New York Times.

Frank Bowling, included in the exhibition Looking Anew: Art and Estrangement, 1900–2000, at Bodowin College Museum of Art, ME.

Luis Camnitzer’s Mine, 2017, included in the traveling exhibition Take Me (I’m Yours), organized by the Jewish Museum, New York, and presented as part of Bienalsur, at Museo Nacional de Arte Decorativo, Buenos Aires. 
 

Alexander Gray's attendance to the opening of Bunker Artspace in West Palm Beach discussed by Rebecca Kleinman in WWD.

Valeska Soares, Any Moment Now at the Santa Barbara Museum of Art, reviewed by Amalia Caputo in ArtNexus.

Talk: To celebrate 40 years of art and new ideas, the New Museum will host the series of conversations “Who’s Afraid of the New Now?: 40 Artists in Dialogue,” featuring Lorraine O’Grady in conversation with Simone Leigh.

Saturday, December 2, 2017
New Museum
235 Bowery, New York

Lorraine O'Grady's participation in the New Museum's panel "Who’s Afraid of the New Now?: 40 Artists in Dialogue," discussed by Andrea K. Scott in The New Yorker.

Solo Exhibition Dubuffet's Feet, My Hands at Frith Street Gallery, London.