It's Jennie C. Jones on the Roof Garden at the Met

ELLE Decor
April 17, 2025

The latest and 12th in the series of roof garden installations has just opened at the Metropolitan Museum of Art. Created by Jennie C. Jones, Ensemble includes three very large sculptures whose powder-coated aluminum surfaces, in two shades of red, are paired with concrete meant to look like the travertine used in the museum, one of multiple references to the space beneath. Another is the mechanics of the sculptures, which like giant instruments, and "informed by observations of the stringed instruments in The Met’s Musical Instruments galleries," reads the release, adding texture to the term site-responsive installation.

Each of the three forms on the roof garden is inspired by a different instrument: the trapezoidal zither, an Aeolian harp, and a one-string, paired with a floor piece meant to act as a conductor. The music they make, however, is up to the elements, visitors, and the city.

"There exists a suspended moment before a string is plucked, when a musician’s finger lies poised above it, ready to act—then a short intake of breath, a gentle tug, and it reverberates," writes associate curator, Department of Modern and Contemporary Art Lauren Rosati for the piece "The Hum and the Lean," on the artist's work and Ensemble. "This tension between dormancy and activation, anticipation and release, animates Jennie C. Jones’s installation." Intended to be seen, quietly in place, "it's also invested with the potential to make sound."

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