With originality, grace and precision, the artist's solo exhibition offers an exceptional sampling of her practice through five different bodies of work.
Bethany Collins, fresh off a solo exhibition at Seattle Art Museum, an inclusion in the Prospect 6 Triennial in New Orleans, and a forthcoming work in the “Monuments” show at The Museum of Contemporary Art, Los Angeles and The Brick, seems not to be slowing down, but rather speeding up. An artist with an insurmountable prowess and affinity for language, its intersection with race and history, Collins continues to meet the gold standard for artistic expression. With originality, grace and precision, “Dusk” at Patron Gallery offers an exceptional sampling of the artist’s practice through five different bodies of work, a collection of paintings, drawings and sculptures. At this Chicago venue, Collins is an exacting reminder that in the right hands, language’s ephemerality can be grasped, if only for a moment; perhaps there is no greater gift than this, someone who can trace language’s frailty and fugitivity in all its wonders.
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