Painting

Aram's paintings are sites of negotiation, where ornamental strategies meet abstraction’s diverse vocabularies. Often beginning with gridded structures, each work builds through a process of layering and revision, retrieving visual languages that art history has often relegated to secondary status.

From this foundation, Aram’s paintings resist easy categorization, functioning simultaneously as abstract compositions and cultural arguments. Aram employs a palette that ranges from earth tones to deep blues that evoke ancient ceramics. His surfaces become stages for encounters between disparate visual languages—geometric precision meeting calligraphic flow, systematic repetition yielding to gestural spontaneity. These negotiations unfold across layers of paint, creating compositions where no single vocabulary dominates, resulting in works that feel both contemporary and timeless.