Sculpture

Aram's sculptural works extend his investigation of ornamental traditions into three-dimensional space, creating objects that exist in the liminal zone between display mechanism and artwork. His painted pedestals function as both sculptures and functional supports, their surfaces treated with the same attention to color and composition as his canvases. These hybrid objects—part furniture, part painting, part architectural element—refuse singular classification, embodying his broader argument about the inadequacy of Western artistic categories. Often incorporating materials like marble, brass, and ceramic tiles, the sculptures reference both ancient decorative arts and contemporary minimalist practice.

The sculptural works frequently serve as stages for other objects—ceramic vessels, book pages, fragments of ornamental detail—creating compositions that evoke museum displays while questioning their authority. Through these arrangements, Aram explores how the act of presentation affects meaning, revealing the constructed nature of cultural value. His sculptures exist in productive tension between function and contemplation, utility and aesthetics, challenging viewers to reconsider the boundaries between art and design—ornament and structure.