-
Interrupted, 2016
Oil, glass beads, and thread on linen
18 x 48 in (45.7 x 121.9 cm)
Collection of Institute of American Indian Arts (IAIA) Museum of Contemporary Native Arts (MoCNA) -
Untitled (Red, Yellow, Blue and Green), 2022
Acrylic, oil, glass beads, 24k gold-coated glass beads, synthetic sinew and thread on canvas
48 x 48 in (121.9 x 121.9 cm)
Collection of Cochman Family Collection -
Untitled (Red, Yellow, Blue and Green), 2022 (detail)
Acrylic, oil, glass beads, 24k gold-coated glass beads, synthetic sinew and thread on canvas
48 x 48 in (121.9 x 121.9 cm)
Collection of Cochman Family Collection -
Wopila | Lineage II, 2023
Acrylic, glass beads, synthetic sinew, and thread on aluminum panel
96 x 120 in (243.8 x 304.8 cm)
Collection of Gochman Family Collection
Photo: Rik Sferra -
Wopila | Lineage II, 2023 (detail)
Acrylic, glass beads, synthetic sinew, and thread on aluminum panel
96 x 120 in (243.8 x 304.8 cm)
Collection of Gochman Family Collection
Photo: Rik Sferra -
Wopila | Lineage II, 2023 (detail)
Acrylic, glass beads, synthetic sinew, and thread on aluminum panel
96 x 120 in (243.8 x 304.8 cm)
Collection of Gochman Family Collection
Photo: Rik Sferra -
Wopila | Lineage II, 2023 (detail)
Acrylic, glass beads, synthetic sinew, and thread on aluminum panel
96 x 120 in (243.8 x 304.8 cm)
Collection of Gochman Family Collection
Photo: Rik Sferra -
She Gives (Quiet Strength V), 2019
Acrylic on canvas
60 x 48 in (152.4 x 121.9 cm)
Collection of Crystal Bridges Museum of American Art -
She Gives (Quiet Strength V), 2019 (detail)
Acrylic on canvas
60 x 48 in (152.4 x 121.9 cm)
Collection of Crystal Bridges Museum of American Art -
Wowačhi | Dancing, 2023
Acrylic on canvas
60 x 48 in (152.4 x 121.9 cm)
Collection of Rollins Museum of Art -
Wowačhi | Dancing, 2023 (detail)
Acrylic on canvas
84 x 60 in (213.4 x 152.4 cm)
Collection of Rollins Museum of Art -
She Gives (Quiet Strength VII), 2020
Acrylic on canvas
84 x 120 in (213.4 x 304.8 cm)
Collection of Pennsylvania Academy of the Fine Arts -
She Gives (Quiet Strength VII), 2020 (detail)
Acrylic on canvas
84 x 120 in (213.4 x 304.8 cm)
Collection of Pennsylvania Academy of the Fine Arts -
Walk With Me, 2024
Acrylic and rhinestone chain on canvas
42 x 72 in (106.7 x 182.9 cm)
Collection of Gochman Family Collection -
Untitled (Quiet Strength II), 2017
Acrylic on canvas
84 x 60 in (213.4 x 152.4 cm)
Collection of the Denver Art Museum -
Untitled (Quiet Strength II), 2017 (detail)
Acrylic on canvas
84 x 60 in (213.4 x 152.4 cm)
Collection of the Denver Art Museum -
She Gives (Quiet Strength IV), 2018
Acrylic on canvas
60 x 48 in (152.4 x 121.9 cm)
Private Collection -
She Gives (Quiet Strength IV), 2018 (detail)
Acrylic on canvas
60 x 48 in (152.4 x 121.9 cm)
Private Collection -
Untitled (Quiet Strength VIII), 2023
Acrylic on canvas
48 x 48 in (121.9 x 121.9 cm)
Collection of Solomon R. Guggenheim Museum -
Untitled (Quiet Strength VIII), 2023 (detail)
Acrylic on canvas
48 x 48 in (121.9 x 121.9 cm)
Collection of Solomon R. Guggenheim Museum -
Wopila | Lineage III, 2024
Acrylic, glass beads, synthetic sinew and thread on aluminum panel
96 x 120 in (243.8 x 304.8 cm)
Collection of Joslyn Art Museum
Interrupted, 2016
Oil, glass beads, and thread on linen
18 x 48 in (45.7 x 121.9 cm)
Collection of Institute of American Indian Arts (IAIA) Museum of Contemporary Native Arts (MoCNA)
White Hawk's paintings function as sites of cultural continuity, where Indigenous visual languages inspire continued exploration and contemporary expression. Her works translate and extend the ritualized labor and artistic strength of Lakota practices into fields of saturated color and measured brushwork. Some compositions unfold through dense accumulations of fine, deliberate marks, whose rhythmic repetition recalls the visual tempo of Lakota quillwork and beadwork. Others privilege open space, subtle variations in texture, or shifts in scale, evoking the meditative qualities of compositional balance favored throughout Lakota aesthetics.
White Hawk’s paintings serve as both formal investigations and acts of historical correction, demonstrating how Native women's innovations preceded and influenced the Western modernist movements that dominate art history. Her methodical application of paint mirrors the patient work that Indigenous women have practiced for generations, linking her studio practice to longstanding forms of cultural expression and intergenerational knowledge. Through saturated colors and geometric forms, White Hawk’s canvases reveal the conceptual depth of Native traditions in abstraction, prompting viewers to reconsider dominant narratives about American art.